The Philosophical Heritage of bell hooks’ Radical Feminism and Cultural Criticism

Hazel Biana

doi:10.57106/scientia.v9i2.121

Authors

Hazel Biana

DOI:

https://doi.org/10.57106/scientia.v9i2.121

Keywords:

bell hooks, critical theory, postfeminism, postmodernism, radical feminism

Abstract

In Feminist theory: from margin to center, bell hooks puts into question the works by reformist feminists who happens to be mostly white, privileged women. She insists that these reformists do not address the plight of other oppressed women who were subjugated not only by their sex alone but by other factors such as race and class. Consequently, she proposes a cultural criticism that investigates the systems of domination in place through a disruption and deconstruction of cultural productions. This paper aims to critically evaluate hooks’ radical feminism and cultural criticism, and show its philosophical heritage through an engagement with the key ideas of critical theory and postmodernism.

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